to say that matias aguayo lives in the moment would be an understatement. he thrives in the moment. one of today s most productive musicians in dance music he continues find new challenges – whether it be curating music events (most recently finding lost music and new acts from the sonoma desert of mexico for an upcoming hkw berlin series), overseeing the tremendous cómeme label imprint, and most recently joining warps favourite new york band battles as a vocalist for the lead single >ice cream<. he returns to kompakt with his first new recordings for the label since 2009s acclaimed full length >ay ay ay< – an accomplishment of its own right thanks to the fact that it was created almost entirely with samples of his voice. matias aguayo takes it back to the dance floor with what potentially could be his first obvious foray into the world of house music.

founded in 2007 by julien henry (synths & vocals) & marc aumont (bass & vocals), rafale got the meters in overdrive right from the start. they played festivals after festivals (les trans musicales, les découvertes du printemps de bourges, astropolis, art rock...) & stood out thanks to inflammatory shows in which raw rock power melts with rapturous clubbing rave. after the release of two eps (rock it, dont stop itt - excessively blogged - & drive, one of year 2009’s best videos according to french magazine les inrocks) & with the support of the media, this double act grew to a trio when franck richard joined on the drums to work on a third ep produced by arnaud rebotini (blackstrobe):eraser. today rafale releases its brand new 12 inch produced by arnaud rebotini, everglades.

the art of acid is an exclusive set of bonus re-edits of classic house tracks rubbed down by a veritable who is who of dance music new and old, part 2 includes edits and re-works from ashley beedle, rub n tug, dusty kid and boys noize. collecting together the cream of early acid house tracks from the traxlabel (out of chicago) that were central to the formation of dance culture as we know it today, >the art of acid<, is a blistering tribute to the last great cultural revolution of the 20th century.

la based producer matthewdavid (leaving records) with his debut album on the brainfeeder label by flying lotus. limited edition vinyl with free download code.

correspondant has been jennifer cardinis residence at rex club paris for 8 years. the parties have been legendary with guests and friends from all over the world and today we are extremely proud to announce that correspondant has become a label! for our first release nhar and plein soleil will have the honors. nhar began his productions alongside kevin scherschel as the 22 crew and has since then worked with minimal house imprints modelisme, plak or mobilee to name a few ... on the b side comes plein soleil s interpretation. lead by krikor and chloe, plein soleil need no introduction, everyone remembers their latest pressing on live at robert johnson as well as their stunning remix of losoul on playhouse. so get ready for nhar and plein soleil…

in the impressive flow of new talent in 2011 on fokuz recordings we already had the pleasure to present the sound of brother, command strange and intelligent manners among others. the next flavour of the funky liquid melting pot called fokuz recordings goes by the name donnie dubson. berlin based irishman donnie o sullivan aka donnie dubson started releasing his funky rollers on have a break and influenza media and already featured on fokuz on the chronicles of the deep lp together with stunna back in 2007. the grapefruit / battlecat release on influenza media in 2009 got him a lot of attention and is still heard in dj sets today. now its 2011 and fokuz presents the beautiful debut album of donnie dubson! his sound can be described as refreshing and original liquid drum n bass with a touch of the well known atmospheric drum n bass vibes from the mid 0s. his basslines are the unique sellingpoint as well as his ability to create an organic feel in the music thats only done by the few who truly understand what liquid drum n bass is all about. pleasuring both critical listeners and the dancefloor audience this album is a perfect overview of the sound fokuz stands for. a great example of how music can be time-less in this decade of fast moving consumer goods.

sven tasnadi already has produced tracks from ambient and hip hop to electro and minimal – today youll find a new style on his roaster, and he did it in an awesome way: house music! a lot of his releases have been recently been coming out on vinyl, featured on labels such as cocoon, pokerflat, smallville or cargo edition – now we are proud to add stretchcat on his discography. watch out!!!

kompakt has always been partial to belgium as they have been tremendously loving to us ... leading the charge of support have been our friends mugwump – the dynamite duo that comprises of geoffoy and the star of our show today – kolombo. we have had a great strain of releases with them over recent times and many will remember kolombo from a number of big tunes for turbo, vice versa and boxer recordings. kolombo pays tribute to the spirit of slo-mo belgian new beat with >waiting for<. a 105 bpm driven concoction of classic house, balearic disco lead by the voice of 80s pop maestro howard jones of his memorable hit >everlasting love< means yes, we have a winner!

the two berlin residents and great friends, jin choi (archipel, lesizmo:r) and daso (my best friend, spectral sound) present us with the first summer tune of the year, >teer<. the original has already featured on the 5ysyst compilation and today we feature its new edit. beautifully deep, piano laden and featuring incredible vocal work, >teer< is set for a successful summer season. backing the new edit, are two stunning remixes from systematic regular, rodriguez jr. and the mighty, quenum! >due to the never ending feedback of many friends and djs we have decided to take this very different and outstanding track off the compilation and release it as a single.<
approved support by dubfire, luciano, jimpster, konrad black, tini, terry francis, adam beyer etc.

12inch album sampler for tiger & woods debut long player >through the green<. featuring the dynamic duos top secret super hit >gin nation< and the brand-new ecstasy epic >kissmetellme< - including the dj-friendly beat-up heat-up >kissmetellmemore<. you are in for some top notch editainment. shrouded in mystery! here today, won-t be gone tomorrow…

jess mills is on everyones lips at the moment as she sets the barrier high with her single >vulture< – which is actually out today. having worked alongside digital soundboy main-man, james breakage, providing the vocals for his track, >fighting fire<. breakage has returned the favour by producing >vultures<. theres a moody photek re-edit on the flip, if you know what rupert parkes is capable of then you wont give this one a miss. limited to 250 vinyl.

frijsfo beats are proud to announce the latest single from uk bass badman, sully, entitled >toffee apple<. picking up where his 2010 keysound single >in some pattern< left off, it sees the versatile pirate vibes-imbibed producer take purple synths and twist them into dizzying contortions. a rude drop roots the track firmly in uk soundsystem culture while a tough steppers beat drives it forward. sully is one of the most treasured yet under-celebrated producers in the uk today. finding a space between 2steps swing, dubsteps edge and breaksteps drums, his versatile productions perfected styles and vibes four or five years before the future garage movement had begun to investigate them. as the rest of the bass family are now embracing house, 2step, uk funky, purple synths and juke, sully looks to have a big 2011 ahead of him. >toffee apple< is the perfect sweetener. limited edition single-sided 10 inch release with etching on flip.

desolat is proud to present a release where veterans meet manon aka manon maeder has been part of the swiss techno and house scene since the early nineties. starting with illegal parties in bern, later involvement in legendary early days afterhours at the >oxa” in zurich, followed by first productions in 1996, residency at >hive< club and her involvement with the >vision< festival, manon is today probably more thrilling than ever before. for desolat, she delivers remarkable tracks that sound like a sonic snapshot of a balearic sunset. pat carnal speaks about manon getting lost in brasil 20 years ago and the conversation was recorded at one >formbar< afterhour. guitar virtuoso mats küpfer added his part at studio willeneger in bern. we d like to tell you more about >que cara é essa” but its probably better to listen to the music. first remix comes from another veteran and one of our heroes, stacey pullen, a kosmik messenger and an innovator from the second wave of detroit techno. he takes vocal snippets from the original and wraps them up in his trademark percussive, driving, stripped down sound. second remix comes from desolats own tini representing a new generation of electronic music talents. she turns manons original in a dark claustrophobic shaker that will gently take you by the hand and stay on your side until the next sunrise

cause4concern, together with artists such as bad company, ed rush & optical, as well as konflict, have shaped a new sound which is today defined as neurofunk. through a rich history of releases since the late 90ties they have earned themselves a reputation as drum and bass legends and innovators. with their 12inch

normal service is resumed on nu directions, returning to 170bpm with an offering from some of the drum & bass scenes most forward-thinking producers, triad. triad is the name given to german duo henree and basstikal. both established producers in their own right, their meeting of minds has given their productions new depth and a totally original approach to drum & bass. releases on dsm, critical and horizons, plus their excellent remix of omars >lay it down<, have laid the foundations for what is to be a fruitful 2011 for this collaborative project. >crooked< is a shuffling minimal work-out which uses dense atmospheres and growling bass stabs to create a haunting mood, before breaking into its techno fuelled, energy soaked finale. >the puzzle< again captures triads unique ability to create musical soundscapes. with light snappy beats and deep stirring synths creating a track that sounds as fresh today as it will in 10 years time, future music.

support by nick curly, karotte, joris voorn, matthias tanzmann, davide squillace, shlomi aber, martin eyerer, solomun, okain, hot chip, brothers vibe, hernan cattaneo, david labeij, anthony collins, franck roger, jairo catelo, feygin, edgar de ramon, mendo, pawas, affkt, uner, andrew grant, wally lopez, nick daring, adam port, solo, alex neri and more... markus homm burst onto the scene back in 2009 with his tracks featuring on debut releases for ostwind and diynamic music. the romanian born german swiftly built on the success of those early releases as he teamed up with highgrade records to release a number of tracks throughout 2010/11. his mixture of deep, soulful, techy and minimal sounds has seen markus and his productions prosper and today we bring you his debut release for kiara records. the summit ep is a collection of three exclusive new cuts lead by the wonderfully deep and hypnotic title track. its the title track that receives the remix treatment too, as kiara welcome ray okpara to the label. with two remixes and one original release to his name so far in 2011, we find ray in excitingly fresh form as he harnesses the deepness of the original and adds a rough and gritty edge with the inclusion of an abrasive groove-locked synth line.

the new leena is by toronto-based sean miller - an artist who has previously released on some of the leading dance music labels of today: steve lawlers viva music, satoshi tommies saw recordings, audioflys supernature, nic fanciullis saved records, 2000andones area remote and various collaborations with renowned artists. miller has built a strong and vibrant dj/producer career over the past ten years, which his new ep >c mon thats it< on leena stands testament to with its well honed production style and creative flare.

re-edits of william onyeabors early 80s afrobeat meets kraftwerk / funk classic tracks >when the going is smooth and good< and >everyday<. we are pleased to bring you the first release on soundbox dynamic recordings.
the anonymous production team behind soundbox have delved into their extensive record collections with a view to release new versions of rare & sought after album tracks that have not been released on 12 inch. giving them a new lease of life with new arrangements and remastered for best audio quality on vinyl only releases.
this features two very hard to find cuts from this african artist from the 70s producing stripped down spacey, lo-fi electronic disco / funk unlike any other nigerian music being made at the time and is still just as unique and relevant today.
these releases are very limited and individually numbered!

boxset (split opening, image of the packaging style attached) containing 5 brand new ed banger tracks contains 5 x 7 inches with individually etched b-sides, limited edition of only 200 units.

welcome reissue of this super-rare 1978 disco classic from greek singing superstar demis roussos. the extended mix of l.o.v.e. got a hold of me featured on this highly-collectable canadian 12 inch pressing from mercury was a massive favourite of david mancusos at his legendary loft parties and understandably so. a tight percussive groove topped with beautiful swirling strings and the big mans soaring sexy vocals, this special long version provides ten minutes of blissful dubbed-out disco heaven which still rocks dancefloors today for any dj lucky enough to have a copy. the flip is also rather good, with i just live, a very useful funky workout with another positive message that includes some fantastic percussion and great harmonica action. top class!

we got a serious release here today on frequenza! eric tarlouf from paris, with his amazing original mixes from >takedem ou tadoor<, heavy support from stephan bodzin, slam, hermanez, john seway, max cooper and many more!

this album is a first for nina simone. it features nina accompanying herself at the keyboeard. there is no instance of overdubbing the organ and some others dubbing her voice and of clapping and tambourines, but in this album everything is done solely by nina simone with no outside help.

the house of the rising sun ep is takeshis 2nd release & showcases more of his classic chicago influenced style while keeping his sound fresh for today. the deep tenmangu starts side a then a lost japan drives into an epic electronic journey. on the flip are the title track and alone.

not long after his >miles (inc. nick curly remix)< release, dj sodeyamas follow up on arpa records is about to hit the shelves. on a deeper tip, dj sodeyama will exhibit his range as one for tokyos premier electronic music artists by releasing the >abyss< also on arpa records. to showcase the talent from both home and abroad dj sodeyama has picked out some of the most exciting artists within the electronic music scene today in glimpse (coccon / cadenza / crosstown rebels) and tokyos very own ryo murakami (poker flat). dropping some real bottom heavy beats alongside some rhythmic percussion the >abyss< release will prove to be a future classic.

over the last couple of years, christopher rau has built a reputation as the finest ear canal masseuse in the contemporary house music scene, catching the attention of fellow hamburger dj koze who has recruited him for this new three-track ep. raus debut full-length asper clouds, released in the fall, was noted for straddling the line between >club< and >headphone< music, earning 4 out of 5 stars from resident advisor along the way, and now, with the how are you ep, he follows up to further explore his sonic approach: an assault of subtlety. >pervading animal< is built upon a solid foundation of familiar rhythm box elements, but like vines and moss, the sedating sounds of strings and keys envelop the empty spaces, showing christopher raus ability to combine the artificial and the organic into something transcendent. then, on the flip side, he lets his weirdness factor shine. at first, >c f r< sounds like by-the-numbers muppet new age, but graduates with distinction as the meowing synth squiggles saunter over the basketball beat. the ep denouements with >how are you today<, marked by a toasty chord progression thats playfully trying to compose itself as the track moves forward, turning science fiction into science fact. you want to believe

diynamic music today present the debut release from our brand new sister label, 2diy4 (pronounced: two die for). launched as diynamics very own playground, to experiment, showcase and surprise, 2diy4 will play host creative, unique and down right cheeky releases of the highest order. the first release is called solomun - love recycled consinsts of 3 tracks that allready get massive attention all over the place. house tune of the month in the new idj (uk), killer release in the dj mag (uk and italy) and one of the releases of the month in the new deejay spain issue

after ellen alliens album >dust< kicked up a lot of the same in 2010, it was only a matter of time until the right remixers for the album were found. no less than the creme de la creme of today s house scene was allowed to have their way with these tracks. and the results are more than fitting. although we have already burned a full-length cd containing all of the remixes they created, we are not planning on leaving the vinyl-loving faction (or whats left of them) out in the cold either. this 12 inch features three powerful club tracks from three outstanding remixers. each unrivalled in their own space.

7th sign warmly welcomes marcellus pittman to the label. with a distinctive sound that pulls together soul and electronic texture into a form without compare, marcellus already boasts a formidable track record. he is a member of the seminal 3 chairs alongside kenny dixon jr., rick wilhite and theo parrish. as if this werent enough, his remarkable releases on sound signature, track mode, fxhe, fit and his own unirhythm imprint have further cemented his position as the hottest modern producer around today. here we have three glorious tracks that show different sides to his character but all sharing a common purpose - to move bodies and minds.

special series returns with another hot dj tool for all djs and fans. the year 2011 started with the release of the first album by fer br and it was well received by all media, djs and fans all over the world. from spain to japan almost all the tracks the lp covers are being heard in the clubs today. special series now presents jesus soblechero, another great talent from the world of funky techno producers. the a-side starts of with a remix by raul mezcolanza fresh on the roll with his debut album on patterns! followed by 3 tracks of jesus himself. funky rhythms, old disco feel and pounding beats are the ingredients he will use for his special recipe. have a taste of this, get of your seat and move your feet!

>the face of the planet< is the opening track and first single of the subs freshly squeezed full album decontrol that will be released on lektroluv end of march. the subs give you an anthem. a hymn. some people will recognize this track from the notorious subs live shows, but be prepared for a new version that sounds fresh like a happy polar bear. optimistic yet melancholic. old but new. punchy and sexy. the new subs have arrived!
accompanied by banging remixes by style of eye, tai & gtronic this makes an amazing package.
plays by crookers, steve aoki, dr. lektroluv, don rimini, proxy, nt89, hey today, dj manaia, mixhell etc ...

ltd coloured vinyl edition !! phil weeks & didier allyne begin this new year with new chicago house classic for dancefloor lovers ! johnny fiasco, one of the most chicago artist in 90s began his career as a dj at some of the first underground house parties in chicago, and in 88 he landed a residency at smart bar with mark farina. three years later he turned a potentially devastating incident into a source of motivation to focus on his career as a producer and began to record for moonshine, radikal fear and the worldrenowned cajual records. his outstanding musical accomplishments have attracted worldwide attention to this humble artist, and his ongoing musical endeavors continue to play a major role in defining the past, present and future of house music.for this re-edition,you can fin the title called >conduction< ! the huge title released in 1995 on cajual & today hard to find ! this title is one of favorite track of all chicago house lovers ! you can also find >kalimba< another huge underground track was on moody grooves vol.1. just real music for real people !

phil weeks & didier allyne begin this new year with new chicago house classic for dancefloor lovers ! johnny fiasco, one of the most chicago artist in 90s began his career as a dj at some of the first underground house parties in chicago, and in 88 he landed a residency at smart bar with mark farina. three years later he turned a potentially devastating incident into a source of motivation to focus on his career as a producer and began to record for moonshine, radikal fear and the worldrenowned cajual records. his outstanding musical accomplishments have attracted worldwide attention to this humble artist, and his ongoing musical endeavors continue to play a major role in defining the past, present and future of house music.for this re-edition,you can fin the title called >conduction< ! the huge title released in 1995 on cajual & today hard to find ! this title is one of favorite track of all chicago house lovers ! you can also find >kalimba< another huge underground track was on moody grooves vol.1. just real music for real people !

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

taking a break from compiling his latest masterpiece while simultaneously remixing and re-editing for various labels, al kent delivers another trio of peak time disco movers.. on the a side “feel it baby” is a classic everyone should know, twisted and tweaked for today’s loop-hungry dancers. the phrase “bassline to die for” was coined to describe this song. then there’s the strings… oof! flip it for you got it, an edit that’s been in al’s armoury a while, one that people always ask for.. so here it is. “drums to die for”? built around one serious serious disco break. lastly, theres loving living feeling. a super funky clav, rhodes and string groove that really packs a punch! million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

the ppu label searched for this guy for years and as soon as they got a hold of the mysterious california gospel producer the first question was, why name your group shelve? >its not shelf, its shell-vee, for shelby!< ppu was finally able to locate shelby when releasing a record with michael soward (ppu-022), turned out shelby produced the title track >hes alive<. >this world< was recorded and mixed by dale >rambo< ramsey, who went on to work with some major hip-hop acts like ludacris, raekwon and the youngbloodz! today shelby hurns is still producing records and will be releasing his latest cd summer 2011. check!

supported by reboot, secret cnema, julian chaptal, shlomi aber, nick warren! nick daring, take note of the name, because the young italian is set for great things. after early releases on rawthentic and greelpound, its time for us to introduce him to a wider audience, with his debut release for kiara. as with many of todays young producers, nicks youth has been filled with music. the vast variety of which has helped in his own eclectic style, both behind the decks and in his own productions. teaming up with kiara was an obvious, evolutionary step, and today he presents his decomposition of the past ep. his three original tracks le mabadi, paint of desh and wyeth, all perfectly showcase nicks ability to create simple, hypnotic rhythms, wrapped in layers of raw funk. kiara favourite leix steps up to remix wyeth. harnessing the impetuous groove of the original, leix injects his own percussive nous and creates a beautifully warm rework. another producer whos never short of a healthy dose of hip swinging serum is dutchman, david lebeij. he gets to grips with paint on desh and presents a classic bass-driven house remix

big with: nick curly, laurent garnier, sebo k, jackmate, radio slave, ripperton, deetron, anja schneider, anthony collins, gregor tresher, mathias kaden, paul woolford, brothers vibe, arnaud le texier, reboot, martinez,... all thirteen releases of the label to date have have showcased the talent of a solo artist, but today five are welcomed for what is not only their label debuts, but also a first >v/a< release for bass culture records. danny fiddo & jm aboga lead from the front with >evil intentions<, which strangely enough, with its smooth feel good vibes, is anything but. fiddo needs little introduction. as a resident of valencias barraca club, he has shared the dj booth with the worlds biggest names, and his music has already found a home on labels including buzzin fly, rekids, ovum and barraca. fellow valencian jose maria, has also resided in the house of barraca. his solo production work can be found on time has changed and novo music, and together with fiddo, the pair have released on fumakilla and monique. fabio giannelli demonstrates just how much his production style has matured on the beautifully cultured, >leitmotiv<. fabio has, over the past three years, become one of italys finest house music exp

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist who is consistently changed the face of techno.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts, he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whoi&#769,,,,,,,s consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whos consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

an edit of blockhead was featured on the latest kitsuné maison 10 compilation it is now being released in its full length glory along with remixes by zombie nation, hey today! & symbolone. played to death by 2manydjs.. a great kick-off of 2011!

we dont need to tell you that rolando is a figure synonymous with the roots of techno. regularly djing in berghain, his unique brand of techno and heavy electronic funk has continued to evolve naturally into the sound youll here today. on rolandos first 12inch for ostgut, we find two diverse tracks each shedding light on the different poles of his current sonic focus. ben klock featured both >de cago< and >junie< on his >berghain 04< mix, and now we can enjoy the full tracks in their own right. the proud heritage of >de cago< is clear from the outset, yet rolando works crisp modern drums and edgy acidic synths into the mix, resulting in a potent concoction of jacking, edgy technofunk. unapologetically raw and gritty - and all the better for it - is >junie<. introducing a different production methodology, this multi-layered half-tempo exploration into eerie harmonics and slow building passages is the latest incarnation of rolandos emotional and instinctive melody writing

in 1985 michael soward and shelby hurns set out to create the new gospel sound with their self-released album entitled >real love<. the lp was a progressive mix of synthesized gospel soul and spiritual funk. this heavenly blend proved to be visionary for their time and sounds so right today. ppu22 features three new edited versions from soward & hurns landmark debut, guaranteed to bless speakers worldwide. tip!

real tone throw its sights today on shonky. after his amazing releases on spectral, crosstown rebels or contexterrior, freak n chics muse seduce real tone records with his velour ep and show us a new evidence these two visions merger. franck roger flavours it all with a boiling remix to which only he holds the secret, and that does the trick. if 2010 has seen the house scene reach an undeniable hegemony, 2011 will indisputably mark its zenith. support from josh wink, luciano, jamie jones, delano smith, deetron, sascha dive, reboot, jimpster, sebo k, tony lionni, djulz, mr v, culoe de song, seth troxler

holmby hills two smooth n ruff house tracks and two hip hop-jazz encores turn this record into a testimony for the state of mind of formresonance. when soul is melted together into an off the grid house track, it is not that far-fetched that both men have shared their music ever since tapes existed. engin oeztuerk, one half of here today, which came out on philpot and buzzin fly and block barley (who already has released two albums on hong kong records and we aint music) are both tinkering in search of music to dance to. they wickedly transform their musical masters ideas into something extraordinary sounding. an off-the-grid team

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!